Voice Performance Program Requirements
(124-126 credits)
Voice Performance Requirements (109-110 credits)
CAS General Education Curriculum (15-16 credits)
Voice Performance Requirements
Code | Title | Credits |
---|---|---|
Complete the following courses: | ||
Choirs and Conducting | ||
CR 109 | Chapel Choir (2 terms) | 2 |
CR 209 | Schola Cantorum (2 terms) | 2 |
CR 509 | Symphonic Choir (4 terms) | 4 |
CR 215 | Fundamentals of Conducting | 3 |
Applied Music and Diction | ||
VC 168A | Applied Voice (8 terms) 1 | 16 |
Piano secondary (4 terms) | ||
PI 103 | Piano Secondary I | 1 |
PI 104 | Piano Secondary II | 1 |
PI 203 | Piano Secondary III | 1 |
PI 205 | Piano Secondary VCPER | 1 |
Diction | 8 | |
Introduction to Lyric Diction | ||
Italian Diction | ||
French Diction | ||
German Diction | ||
Theory and Music History | ||
TH 141 & TH 142 & TH 241 | Musicianship I and Musicianship II and Musicianship III | 12 |
TH 342 | Contemporary Trends | 3 |
MH 247 & MH 248 | Music Historiography I and Music Historiography II | 6 |
MH 345 | Music Since 1900 | 3 |
Theory level I elective 3 | 3 | |
Select one of the following: | ||
Composition Class | ||
Analytical Studies I | ||
Orchestration | ||
Song Writing | ||
Electroacoustic Music | ||
Theory level II elective 3 | 3 | |
Select one of the following: | ||
Choral and Instrumental Arranging | ||
Form and Analysis | ||
Contrapuntal Techniques | ||
Special Topics in Theory 2 | ||
Analytical Studies II | ||
Keyboard Harmony | ||
Music History Elective | ||
MH 433 | Seminar in Music History | 3 |
Professional Studies | ||
VC 191 | Movement for the Performer | 2 |
VC 291 | The Singing Actor | 2 |
VC 305 | Singing in Italian and French | 2 |
or VC 306 | Singing in German and English | |
VC 408 | Voice Science | 3 |
VC 433 & VC 434 | Song Literature I and Song Literature II | 4 |
VC 591 | Performing in Lyric Theater | 2 |
Foreign Language Proficiency: 4 | ||
Select one of the following options: | 18 | |
Option 1: | ||
Italian I and Italian II and French I and French II and German I and German II | ||
Or Option 2: | ||
Italian I and Italian II and French I and French II and French III and French IV | ||
OR Option 3: | ||
Italian I and Italian II and German I and German II and German III and German IV | ||
OR Option 4: | ||
Select from: | ||
Italian I and Italian II and Italian III and Italian IV | ||
AND | ||
French I and French II | ||
OR | ||
German I and German II | ||
Select one of the following: | 1-2 | |
Opera Workshop | ||
Opera Theater (Role) | ||
Opera Theater (Tech) | ||
Opera Theater (Ensemble) | ||
Recitals 5 | ||
Student Recital | ||
Student Recital | ||
Free electives | 3 | |
Total Credits | 109-110 |
Notes
- 1
Attendance at weekly studio classes is required during all semesters of applied study.
- 2
MH 433 can be repeated for credit as long as the topics are different.
- 3
Level 2 theory classes can be taken as a level 1 theory. Level 1 classes cannot be used for level 2.
- 4
Students must complete six semesters of foreign language study. Students must complete Italian I and II. They must complete additional semesters of either French or German. Semesters five and six may be of a third language (French or German) or additional semesters of Italian, French or German. If students are exempted from one or more semesters of foreign language study, they must replace the missing course credits with other Arts and Sciences electives.
- 5
A half recital VC 001R must be presented in the junior year. A full recital VC 002R must be presented in the senior year.
CAS General Education Curriculum
Code | Title | Credits |
---|---|---|
I. ESSENTIAL COMPETENCIES: | ||
Reading and Writing | 6 | |
Seminar in Writing and Rhetoric | ||
or BHP 100 | Honors Seminar: Great Ideas I | |
Select one of the following: | ||
Seminar in Writing and Research | ||
or BHP 150 | Honors Seminar: Great Ideas II | |
Literature and Composition | ||
II. DISCIPLINARY PERSPECTIVES | ||
Select one course from the Scientific or Social Perspectives: | 3-4 | |
Scientific Perspectives | ||
A. 4-Credit Lecture/Lab Combination Courses | ||
Chemistry in the Kitchen and Chemistry in the Kitchen Lab | ||
Introduction to Environmental Sciences and Introduction to Environmental Sciences Lab | ||
Earth Systems Science and Earth Materials and Processes Lab | ||
Oceanography and Introductory Oceanography Lab | ||
Introduction to Sustainability Studies and Intro to Sustainability Lab | ||
B. 3-Credit Non-Lab Courses | ||
Chemistry and Conflict | ||
Idea to Innovation | ||
Honors Seminar: The Environment: a Conflict of Interest | ||
The Rhetoric of Science | ||
Nature and Nurture | ||
Life Science | ||
Life Science: Brain and Behavior | ||
Chemistry & Society | ||
Fundamentals of Computer Science | ||
Future of Natural Resources | ||
Introduction to Climate Change | ||
Earth Systems Science | ||
Geology of National Parks | ||
Environmental Geology | ||
Mesozoic Ruling Reptiles | ||
Oceanography | ||
Astronomy | ||
The Science of Mental Illness | ||
Introduction to Forensics | ||
OR | ||
Social Perspectives | ||
Nineteen Eighty-Four in Context: George Orwell’s Enduring Legacy | ||
Under the Influence: Drugs, Deviance, and Culture | ||
Honors Seminar:Politics/Literacy | ||
Children and the Media | ||
Creativity and Design Thinking | ||
A Cross-Cultural Comparison of Play | ||
Honors Seminar: The Environment: a Conflict of Interest | ||
The Online Explosion: Radical Changes in Business and Communication | ||
The Rhetoric of Science | ||
The Law and Racial Progress | ||
Mirrors of the Mind: The Interplay of Literature and Psychology | ||
Honors Seminar: 20th Century European Ideologies | ||
Modern European Ideologies: Social and Political Perspectives | ||
Nature and Nurture | ||
Genocide, Human Rights & Literature | ||
Moral Psychology | ||
Communication, Culture and Media | ||
Global Film & Media Industries | ||
Introduction to Gender Studies | ||
Gender, War and Peace | ||
Race, Class and Gender in Contemporary American Society | ||
Power and Privilege in a Multicultural Society | ||
U.S. Politics in Crisis | ||
Power, Politics and Justice | ||
Explorations in Psychology Honors | ||
Psychology:The Science of Well-being | ||
Psychology of Creativity | ||
Psychology of Women | ||
Sociological Imagination | ||
Cultural Anthropology | ||
Social Movements Abroad | ||
Select one course from the Philosophical or Aesthetic Literature Perspectives: | 3 | |
Philosophical Perspectives | ||
Honors Seminar: Existentialism in Literature | ||
Presence of Mind — Artificial Intelligence and Human Creativity | ||
Honors Seminar: The Bible as Literature and Philosophy | ||
Moral Psychology | ||
Plato and Aristotle | ||
Philosophical Thinking | ||
Logic and Language | ||
Ethics | ||
American Philosophy | ||
Philosophies of Education | ||
Political Philosophy | ||
Social Philosophy | ||
Asian Philosophy | ||
Symbolic Logic | ||
Environmental Ethics | ||
Modern Philosophy | ||
Philosophy of the Sexes | ||
Medical Ethics | ||
Problems in 20th-Century Philosophy | ||
Philosophy of Science | ||
Theories of Knowledge | ||
Philosophy of Mind | ||
Theories of Reality | ||
Indian Philosophy | ||
Chinese Philosophy | ||
Contemporary Ethics | ||
Japanese Philosophy | ||
OR | ||
Aesthetic Perspective: Literature | ||
American Memoir and Autobiography | ||
Poetry and Poetics in American Culture | ||
Kurt Vonnegut’s America | ||
Age of Shakespeare: A Study in Cultural History | ||
Nineteen Eighty-Four in Context: George Orwell’s Enduring Legacy | ||
Under the Influence: Drugs, Deviance, and Culture | ||
Honors Seminar:Politics/Literacy | ||
The Fantastic in Literature, Art, and Media | ||
Music and Literature | ||
Honors Seminar: Existentialism in Literature | ||
Race, Gender, and Sexuality in the Age of Empire | ||
Shakespeare: Page, Stage & Screen | ||
Mirrors of the Mind: The Interplay of Literature and Psychology | ||
Inclusive Education and Representations of Disability | ||
Honors Seminar: 20th Century European Ideologies | ||
Honors Seminar: The Bible as Literature and Philosophy | ||
Latinx in the 21st Century | ||
Images of Women in Chinese Literature and Film | ||
Understanding Literature | ||
Arthurian Legends in Literature | ||
Major American Authors | ||
Major British Authors | ||
Literature and Mythology | ||
Monsters in Literature | ||
Satire and Comedy | ||
Introduction To Shakespeare | ||
Literature and the Environment | ||
Literature and Violence | ||
Literature & Society | ||
Literature and Psychology | ||
Crime and Literature | ||
Science Fiction | ||
Black American Lit | ||
Multi-Ethnic Literature in America | ||
Women In Literature | ||
Introduction to Poetry | ||
The Short Story | ||
Human Relationships in Literature (HONORS) | ||
Global Literature | ||
An Introduction to French Literature | ||
Cultural Expression in French Film and Television | ||
Portrait of the Hero in French Fiction | ||
Mask & Reality in French Theater | ||
Self in French Prose & Poetry | ||
A Quest for Identity: Francophone Literature and Culture | ||
Sex, Gender, and Fairy Tales | ||
Masterworks of Western Literature I | ||
Masterworks of Western Literature II | ||
Introduction to Spanish Literature | ||
Introduction to Latin-American/Latino Literature | ||
The Hispanic Short Story: Transatlantic Connections | ||
The Spanish Golden Age | ||
From Colonies to Nations | ||
Latin American/Latino Film and Fiction | ||
Historical Perspectives: | 3 | |
Select one of the following: | ||
Pre-Modern World: Evolution to Revolution | ||
World in the Modern Era: Exploration to Globalization | ||
or HIS 152 | Contemporary World: Historical Perspectives | |
or HIS 153 | Cold War: A Global History | |
Total Credits | 15-16 |
Academic Plan of Study
The following educational plan is provided as a sample only. Rider students who do not declare a major during their freshman year; who are in a Continuing Education Program; who change their major; or who transfer to Rider may follow a different plan to ensure a timely graduation. Each student, with guidance from their academic advisor, will develop a personalized educational plan.
Year 1 | ||
---|---|---|
Fall Semester | Credits | |
CR 109 | Chapel Choir | 1 |
VC 168A | Applied Voice | 2 |
PI 103 | Piano Secondary I | 1 |
VC 114 | Introduction to Lyric Diction | 2 |
TH 141 | Musicianship I | 4 |
ITA 100 | Italian I | 3 |
CMP 120 or BHP 100 |
Seminar in Writing and Rhetoric or Honors Seminar: Great Ideas I |
3 |
Semester Credit Hours | 16 | |
Spring Semester | ||
CR 109 | Chapel Choir | 1 |
VC 168A | Applied Voice | 2 |
PI 104 | Piano Secondary II | 1 |
VC 118 | Italian Diction | 2 |
TH 142 | Musicianship II | 4 |
ITA 101 | Italian II | 3 |
VC 191 | Movement for the Performer | 2 |
CMP 125 |
Seminar in Writing and Research or Literature and Composition or Honors Seminar: Great Ideas II |
3 |
Semester Credit Hours | 18 | |
Year 2 | ||
Fall Semester | ||
CR 209 | Schola Cantorum | 1 |
VC 168A | Applied Voice | 2 |
PI 203 | Piano Secondary III | 1 |
TH 241 | Musicianship III | 4 |
FRE 100 or GER 100 |
French I or German I |
3 |
MH 247 | Music Historiography I | 3 |
VC 291 | The Singing Actor | 2 |
Semester Credit Hours | 16 | |
Spring Semester | ||
CR 209 | Schola Cantorum | 1 |
VC 168A | Applied Voice | 2 |
PI 205 | Piano Secondary VCPER | 1 |
VC 119 or VC 120 |
French Diction or German Diction |
2 |
MH 248 | Music Historiography II | 3 |
FRE 101 or GER 101 |
French II or German II |
3 |
Theory Level I elective | 3 | |
Semester Credit Hours | 15 | |
Year 3 | ||
Fall Semester | ||
CR 509 | Symphonic Choir | 1 |
VC 168A | Applied Voice | 2 |
CR 215 | Fundamentals of Conducting | 3 |
MH 345 | Music Since 1900 | 3 |
VC 591 | Performing in Lyric Theater | 2 |
GER 100 or FRE 100 |
German I or French I |
3 |
Theory Level II elective | 3 | |
Semester Credit Hours | 17 | |
Spring Semester | ||
CR 509 | Symphonic Choir | 1 |
VC 168A | Applied Voice | 2 |
MH 433 | Seminar in Music History | 3 |
VC 408 | Voice Science | 3 |
VC 119 or VC 120 |
French Diction or German Diction |
2 |
GER 101 or FRE 101 |
German II or French II |
3 |
TH 342 | Contemporary Trends | 3 |
Junior Recital | ||
Semester Credit Hours | 17 | |
Year 4 | ||
Fall Semester | ||
CR 509 | Symphonic Choir | 1 |
VC 168A | Applied Voice | 2 |
VC 433 | Song Literature I | 2 |
VC 305 or VC 306 |
Singing in Italian and French or Singing in German and English |
2 |
HIS 150 |
Pre-Modern World: Evolution to Revolution or World in the Modern Era: Exploration to Globalization or Contemporary World: Historical Perspectives or Cold War: A Global History |
3 |
Free Elective | 3 | |
Semester Credit Hours | 13 | |
Spring Semester | ||
CR 509 | Symphonic Choir | 1 |
VC 168A | Applied Voice | 2 |
VC 434 | Song Literature II | 2 |
Select one of the following: | 1-2 | |
Opera Workshop or Opera Theater (Ensemble) or Opera Theater (Role) or Opera Theater (Tech) |
||
General Education Electives | 6 | |
Senior Recital | ||
Semester Credit Hours | 12-13 | |
Total Credit Hours for Graduation | 124-125 |
Courses and Descriptions
CR 109 Chapel Choir 1 Credits
Comprised of undergraduate students in their first year of study, Chapel Choir focuses on music for men’s, women’s, and mixed chorus. The ensemble provides the fundamentals of artistic choral ensemble singing and a foundation for all Westminster choral ensembles. Placement hearing required.
CR 209 Schola Cantorum 1 Credits
Comprised of undergraduate students in their second year of study, Schola Cantorum focuses on music for mixed chorus and continues to build and refine the skills developed in Chapel Choir. This ensemble presents campus, community, and regional performances. Placement hearing required.
CR 215 Fundamentals of Conducting 3 Credits
This course provides the foundation of conducting technique and philosophy as it relates to choral ensemble. Primarily, it deals with the development of basic pedagogical proficiencies, specifically alignment, Laban gestural vocabulary, breathing, beat patterns, consistent tempo, and the development of expressive gesture for relaying various styles of music, i.e., legato, staccato and marcato. Basic philosophical understandings concerning the human aspects of the music making process and the role the conductor plays in that process also are emphasized. Specific techniques for dealing with technical elements, e.g., fermata, dynamics, changes of tempo, contrasts in style, also are covered. The overall focus of the course is to establish the important relationship between ear, body, and the choral sound.
Prerequisite(s): TH 141.
CR 509 Symphonic Choir 1 Credits
A large mixed chorus comprised of students above the lower division, including graduate students from all disciplines. The ensemble regularly performs in the region and focuses on the major choral/orchestral repertoire along with a wide variety of repertoire for large mixed chorus. Placement hearing required.
FRE 100 French I 3 Credits
Conversational French is taught through basic vocabulary and grammar building. Students will enjoy an immersion-style method emphasizing real-life situations and vocabulary in authentic cultural context, through an interactive textbook, videos, on-line resources, and oral/aural skill building using the technology in the Foreign Language Media Center to enhance learning. This course counts towards the fulfillment of the Essential Competencies element of the CLAS general education curriculum.
Prerequisite(s): Placement test if French has been studied elsewhere.
FRE 101 French II 3 Credits
Building on learning in French I, students will begin to converse using more complicated grammatical structures within immersion-style classroom interactions. While the focus is still on conversation and aural skill building, composition skills receive greater emphasis. Students will enjoy an interactive textbook, Internet usage, and authentic videos shot on location in France. This course counts towards the fulfillment of the Essential Competencies element of the CLAS general education curriculum.
Prerequisite(s): FRE 100 or placement test.
FRE 200 French III 3 Credits
This course builds on linguistic skills previously acquired through an emphasis on conversation and oral comprehension, and through vocabulary building. Grammar study is continued at a more advanced level, and students begin to read short passages focusing mainly on francophone culture and civilization. Film clips, Internet resources, and other computer-aided learning tools are used to create a dynamic immersion-style learning experience. This course counts towards the fulfillment of the Essential Competencies element of the CLAS general education curriculum.
Prerequisite(s): FRE 101 or placement test.
FRE 201 French IV 3 Credits
While continuing the emphasis on aural/oral production and grammar and vocabulary building, short passages of greater complexity taken from literary texts, newspapers, and magazines will become the focus of conversation/composition activities. Technological resources will continue to enhance the immersion-style learning experience consistent with a course in advanced French. Successful completion of this course, or its equivalent, serves as a prerequisite for French courses at the 300 and 400 level. This course counts towards the fulfillment of the Essential Competencies element of the CLAS general education curriculum.
Prerequisite(s): FRE 200 or placement test.
GER 100 German I 3 Credits
An introduction to German stressing the spoken language and the fundamentals of grammar. Students are required to work extensively with audio CDs. This course counts towards the fulfillment of the Essential Competencies element of the CAS general education curriculum.
Prerequisite(s): placement test if German has been studied elsewhere.
GER 101 German II 3 Credits
A continuation of German 100. Communication skills are broadened, fundamental grammar is studied in more depth, and basic vocabulary is expanded. Students are required to work extensively with audio files. This course counts towards the fulfillment of the Essential Competencies element of the CAS general education curriculum.
Prerequisite(s): GER 100 with a minimum grade of D or placement test.
GER 200 German III 3 Credits
Intensive review of German grammar and syntax with a systematic approach to oral expression and composition. Readings on contemporary German life and selections from modern literature. This course counts towards the fulfillment of the Essential Competencies element of the CLAS general education curriculum.
Prerequisite(s): GER 101 or placement test.
GER 201 German IV 3 Credits
Continuation of grammar review and readings. Special emphasis on oral expression and composition of increasing sophistication, proceeding from concrete observations to theoretical and abstract discussion. This course counts towards the fulfillment of the Essential Competencies element of the CLAS general education curriculum.
Prerequisite(s): GER 200 or placement test.
ITA 100 Italian I 3 Credits
The language program objectives of our department are based on the premise that students must be able to demonstrate increased proficiency in interpersonal, interpretive and presentational communication skills as well as growth in cultural, literary and interdisciplinary knowledge as they move through a sequence of study. This course is the first part of the first year experience in Italian during which the development of communicative and cultural competencies are at the center of this experience. At the end of the course, successful students will be able to communicate short messages on highly predictable, everyday topics that affect them directly. They will also develop a sense of the cultural aspects of people who speak the target language. Cultural components include the importance or regions in the construction of Italian identity; differences in American and Italian school and university systems; the role of the family in Italian life. The course is conducted in Italian.
This course fulfills LAS Core Curriculum Requirement I. Essential Competencies: Foreign Language.
ITA 101 Italian II 3 Credits
The language program objectives of our department are based on the premise that students must be able to demonstrate increased proficiency in interpersonal, interpretive and presentational communication skills as well as growth in cultural, literary and interdisciplinary knowledge as they move through a sequence of study. This course is the second part of the first year experience in Italian during which the development of communicative and cultural competencies are at the center of this experience. At the end of the course, successful students will be able to handle successfully a variety of uncomplicated communicative tasks in straightforward social situations. They will also develop a sense of the cultural aspects of people who speak the target language. Cultural components include differences between American and Italian cuisines, sports, routines, and healthcare systems. The course is conducted in Italian.
Prerequisite(s): ITA 100 or LL 145 or Placement Test.
ITA 200 Italian III 3 Credits
The language program objectives of our department are based on the premise that students must be able to demonstrate increased proficiency in interpersonal, interpretive and presentational communication skills as well as growth in cultural, literary and interdisciplinary knowledge as they move through a sequence of study. This course is the third part of the four-semester sequence in Italian. At the end of ITA 200, successful students achieve proficiency in Italian at the intermediate level in oral expression, listening comprehension, reading of short texts, and writing. Students will be able to successfully navigate conversational and written Italian in cultural contexts related to course themes: personal relationships, Italian communities, hobbies and free time activities, the value of social and political ideas, the Italian family across the generations. The course is conducted in Italian. This course fulfills LAS Core Curriculum Requirement I. Essential Competencies: Foreign Language.
Prerequisite(s): ITA 200 or LL 247 or placement test.
ITA 201 Italian IV 3 Credits
The language program objectives of our department are based on the premise that students must be able to demonstrate increased proficiency in interpersonal, interpretive and presentational communication skills as well as growth in cultural, literary and interdisciplinary knowledge as they move through a sequence of study. This course is the fourth and final part of the four-semester sequence in Italian. At the end of ITA 201, successful students achieve proficiency in Italian at the intermediate level in oral expression, listening comprehension, reading of short texts, and writing. Students will be able to successfully navigate conversational and written Italian in cultural contexts related to course themes: societal changes in Italian culture, science and technology, Italian contributions to the arts, media, and the culture of business in Italy. The course is conducted in Italian.
Prerequisite(s): ITA 200 with a minimum grade of D or LL 247 with a minimum grade of D. This course fulfills LAS Core Curriculum Requirement I. Essential Competencies: Foreign Language.
MH 247 Music Historiography I 3 Credits
Historiography I begins by exploring similarities and differences between various music cultures around the world, and continues with an examination of selected genres of Western Art Music of the Medieval, Renaissance and Baroque periods. Basic information literacy skills, such as searching library catalogs, databases and reading academic articles also will be covered.
Prerequisite(s): CMP 125.
MH 248 Music Historiography II 3 Credits
Examines Western Art Music since 1750 and includes a research assignment that builds upon the information literacy skills gained in MH 247.
Prerequisite(s): MH 247.
MH 345 Music Since 1900 3 Credits
Examines controversies and aesthetic movements in 20th and 21st century music. Emphasis is placed upon critical reading and writing skills.
Prerequisite(s): MH 248.
MH 433 Seminar in Music History 3 Credits
The contents of courses carrying this number will vary with the special interests and qualifications of the instructors teaching them. Possible topics include period courses, courses from a distinct perspective, composer courses and genre courses.
Prerequisite(s): MH 248.
TH 141 Musicianship I 4 Credits
This course assists students in learning and integrating aural, performance, analytical and composition skills involving diatonic melody and harmony. Both the theoretical and the practical portion must be passed individually in order to receive a passing grade.
Prerequisite(s): TH 045 or passing a placement test.
TH 142 Musicianship II 4 Credits
A continuation of TH 141 involving chromatic melody and harmony with an introduction to binary and ternary form.
Prerequisite(s): minimum "C-" grade in TH 141.
TH 237 Composition Class 3 Credits
Class instruction in original composition. May be taken as a level I elective.
Prerequisite(s): For non Theory/Composition majors only, minimum "C-" grade in TH 142.
TH 241 Musicianship III 4 Credits
A continuation of TH 142 with an introduction to larger musical forms and counterpoint.
Prerequisite(s): minimum "C-" grade in TH 142.
TH 251 Analytical Studies I 3 Credits
An in-depth analytical study of a select body of tonal music to be determined by the instructor. The music, which will contain only the harmonic vocabulary and formal structures studied in TH 141 and TH 142, may vary each time the course is offered. May be taken as a level I theory elective.
Prerequisite(s): minimum "C-" grade in TH 142.
TH 253 Orchestration 3 Credits
A study of the orchestra and its individual instruments from the standpoints of the composer, arranger and conductor. May be taken as a level I theory elective.
Prerequisite(s): minimum "C-" grade in TH 142.
TH 255 Song Writing 3 Credits
Solo vocal composition in various styles. May be taken as a level I theory elective.
Prerequisite(s): minimum "C-" grade in TH 142.
TH 259 Electroacoustic Music 3 Credits
An introduction to the history and literature of electroacoustic music emphasizing hands-on creative opportunities in sequencing and digital sound processing. May be taken as a level I theory elective.
Prerequisite(s): minimum "C-" grade in TH 142.
TH 342 Contemporary Trends 3 Credits
An analytical study of the compositional techniques of the 20th and 21st centuries.
Prerequisite(s): TH 241.
TH 424 Choral and Instrumental Arranging 3 Credits
Arranging for various ensembles of voices and instruments. May be taken as a level II theory elective.
Prerequisite(s): TH 241.
TH 431 Form and Analysis 3 Credits
Study of the compositional process as observed in selected examples of music literature, predominantly from the tonal repertoire. May be taken as a level II theory elective.
Prerequisite(s): minimum "C-" grade in TH 241.
TH 432 Contrapuntal Techniques 3 Credits
18th century counterpoint with an emphasis on analysis and writing of original compositions. May be taken as a level II theory elective.
Prerequisite(s): minimum "C-" grade in TH 241.
TH 433 Special Topics in Theory 3 Credits
The content of the course carrying this number will vary with the special interests and qualifications of the professor teaching it. May be taken as a level II theory elective.
Prerequisite(s): minimum "C-" grade in TH 241.
TH 452 Analytical Studies II 3 Credits
An in-depth analytical study of a select body of tonal music to be determined by the instructor. The music, which will contain a more advanced harmonic vocabulary and larger formal structures than the music studied in TH 251, may vary each time the course is offered. May be taken as a level II theory elective.
Prerequisite(s): TH 241 with a minimum grade of C-.
TH 550 Keyboard Harmony 3 Credits
An intense exploration of and drill in musicianship-keyboard skills, including score reading, transposition, modulation, clef reading, figured bass realization, harmonizing melodies, improvising and lead sheet accompanying. Projects may include transposition of a number of songs (perhaps a complete set) into all keys, figured bass realization for a Bach cantata, improvisation of service music (prelude, offertory, interludes, chorale preludes, postlude), multiple re-harmonizations of hymns/chorales for a service and score reduction and performance of a movement of an orchestral work. May be taken as an undergraduate level II theory elective.
Prerequisite(s): Undergraduate, minimum "C-" grade in TH 241; Graduate, Removal of all theory deficiencies.
VC 001R Student Recital 0 Credits
25 Minute Student Recital.
VC 002R Student Recital 0 Credits
45-60 Minute Student Recital.
VC 114 Introduction to Lyric Diction 2 Credits
Introduction to the International Phonetic Alphabet (IPA) and the sounds of all major sung languages through oral and written drill. Open to Voice Performance majors only.
VC 118 Italian Diction 2 Credits
Introduction to the rules for singing Italian through the use of the International Phonetic Alphabet (IPA), with oral and written drill. Open to Voice Performance majors only.
Prerequisite(s): VC 114.
VC 119 French Diction 2 Credits
Introduction to the rules for singing French through the use of the International Phonetic Alphabet (IPA), with oral and written drill. Open to Voice Performance majors only.
Prerequisite(s): VC 114.
VC 120 German Diction 2 Credits
Introduction to the rules for singing German through the use of the International Phonetic Alphabet (IPA), with oral and written drill. Open to Voice Performance majors only.
Prerequisite(s): VC 114.
VC 168A Applied Voice 2 Credits
One-hour, 2-credit required lesson. Included in tuition – no extra charge.
VC 191 Movement for the Performer 2 Credits
Movement exercises and etudes help students develop proper alignment, physical freedom, unification of voice, breath, and body, and help them explore the body as an expressive instrument.
VC 291 The Singing Actor 2 Credits
The introduction to vocal performance entails coaching of selected songs, arias or repertoire from music theater and techniques for performance preparation through intensive research. A final written project involves a musical and dramatic analysis of all chosen repertoire.
Prerequisite(s): successful completion of Level I voice jury.
VC 305 Singing in Italian and French 2 Credits
Master class and private coaching in vocal performance of Italian and French language song, recitative and opera arias. The class will focus on pronunciation, inflection and nuances of sung Italian and French.
Prerequisite(s): Successful completion of Level I jury; VC 118, VC 119.
VC 306 Singing in German and English 2 Credits
Master class and private coaching in vocal performance of German and English language song, recitative and opera arias. The class will focus on pronunciation, inflection and nuances of sung German and English.
Prerequisite(s): Successful completion of Level I Jury; VC 120.
VC 408 Voice Science 3 Credits
Study of the physics and physiology of voice production. Musical and vocal acoustics are explored using the facilities of the Westminster Voice Laboratory. Anatomic and physiologic underpinnings of respiration, phonation, articulation, registration and hearing are explored in depth.
VC 433 Song Literature I 2 Credits
A survey of solo literature for voice and accompanying instrument including solo vocal music of the Baroque period and German lieder.
Prerequisite(s): MH 248.
VC 434 Song Literature II 2 Credits
A survey of solo literature for voice and accompanying instrument including French mélodie, songs by nationalist composers, English and American song.
Prerequisite(s): MH 248.
VC 591 Performing in Lyric Theater 2 Credits
Performing in Lyric Theater offers techniques for the preparation of lyric roles in a theatrical setting. It will develop elements of stagecraft, systematize a process for preparations and exploration, and introduce the working relationship with director and conductor.
Prerequisite(s): Undergraduates, VC 291 and the successful completion of Level II jury, or permission of the Chair.
VC 592 Opera Workshop 2 Credits
Introduction to opera performance. Acting exercises, character development, dramatic exploration and musical coaching culminating in a workshop-format presentation. It is recommended that VC 491 or 691 be taken before this course. This course may be repeated for credit.
Prerequisite(s): Undergraduates, successful completion of the level II voice test or permission of the chair.
VC 593E Opera Theater (Ensemble) 1 Credits
This course involves preparation and performance of a role or in the chorus of a fully staged opera production. Open only by audition. May be repeated for credit.
VC 593R Opera Theater (Role) 2 Credits
This course involves preparation and performance of a role or in the chorus of a fully staged opera production. Open only by audition. May be repeated for credit.
VC 593T Opera Theater (Tech) 1 Credits
This course involves preparation and performance of a role or in the chorus of a fully staged opera production. Open only by audition. May be repeated for credit.